Hiller focuses on the cultural manifestations of a collective unconscious and also on the ways in which such manifestations are themselves the target of repression.This essay will discuss the under-explored and possibly censored relationship between psychoanalytic thought and the occult, but before doing so it will focus on an intrinsically psychoanalytic dimension of Hiller’s practice that inflects how audiences relate to works such as : that of transference.You can find love with the UK’s favourite free dating website powered by freeads, the leading online classifieds site in the United Kingdom.Like our name suggests, it’s FREE to search 1000s of members to find your first date in your local area and send messages completely free (unlike some other dating sites).In a 1926 letter to his friend and fellow psychoanalyst Ernest Jones, who openly discouraged him from pursuing his interests in the paranormal, Freud responded facetiously but revealingly, clustering together personal issues which are however inherently political: ‘My adherence to telepathy is my private affair, like my Jewishness, my passion for smoking, and other things, and the theme of telepathy – inessential for psychoanalysis.’14 Jones took this statement with more than a pinch of salt and in his biography of Freud cites the latter’s correspondence with psychical researcher Hereward Carrington in which Freud reportedly confessed: ‘If I had my life to live over again I should have devoted myself to psychical research rather than psychoanalysis.’15 Freud subsequently denied ever having made this statement, which Jones interpreted as classic repression: ‘In the eight years that had passed he had blotted out the memory of that very astonishing and unexpected passage.’16 That Jones should find Freud’s statement so ‘very astonishing and unexpected’, despite Freud’s avowed interest and their ongoing disagreement on the value of the occult, itself bears the mark of repression.Freud’s bravery in his acceptance of psychic phenomena as legitimate objects of systematic investigation did not take him far enough.
As the critic Jan Verwoert has stated: [W]hat Hiller can be seen to enact in her work is a form of criticality in art that comprises yet also goes beyond a critique of representation, by proposing terms for the critical engagement with those forces of transference that partially elude the visible and therefore can only be accessed in terms of a politics of sentience.8 One of the few scholarly works to address the relationship between psychoanalysis and the occult is described by its editor George Devereux as a contribution to psychoanalytic technique and specifically the problem of transference and countertransference (the analyst’s counter-attachment to the analysand).
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